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36159b3361Sopenharmony_ci        <h2 class="hilight">LAME - Variable Bit Rate</h2>
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38159b3361Sopenharmony_ci    <p>Suggested usage:</p>
39159b3361Sopenharmony_ci    <blockquote class="code">lame -V2 input.wav output.mp3</blockquote>
40159b3361Sopenharmony_ci    <p>
41159b3361Sopenharmony_ci        In Variable Bitrate (VBR) coding, the user chooses a desired quality level
42159b3361Sopenharmony_ci        instead of a bitrate. A correct implementation should be able to maintain the
43159b3361Sopenharmony_ci        same quality perception, changing the bitrate to a higher or lower one whenever
44159b3361Sopenharmony_ci        the audio file is more or less complex. With MP3, this is not always possible.
45159b3361Sopenharmony_ci    </p>
46159b3361Sopenharmony_ci    <p>
47159b3361Sopenharmony_ci        VBR encoding is the logical way of encoding data. General data compressors (like
48159b3361Sopenharmony_ci        .zip and .rar) are VBR, as lossless codecs are as well. Being able to indicate
49159b3361Sopenharmony_ci        a quality value, the encoder decides for each frame, which is the most appropiate
50159b3361Sopenharmony_ci        bitrate to keep it.
51159b3361Sopenharmony_ci    </p>
52159b3361Sopenharmony_ci    <p>
53159b3361Sopenharmony_ci        The main advantage of using VBR is that the encoder will use the smallest amount
54159b3361Sopenharmony_ci        of bytes needed to keep the asked quality. The inconvenience is that the
55159b3361Sopenharmony_ci        file size is quite unpredictable, and can change from file to file in more than
56159b3361Sopenharmony_ci        50kbps. (or nearly double the size, with different genres and quasi-mono content)
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