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18159b3361Sopenharmony_ci            <li><a href="cbr.html">CBR </a></li>
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36159b3361Sopenharmony_ci        <h2 class="hilight">LAME - Constant Bit Rate</h2>
37159b3361Sopenharmony_ci    </div>
38159b3361Sopenharmony_ci    <p>Suggested usage:</p>
39159b3361Sopenharmony_ci    <blockquote class="code">lame -b 128 input.wav output.mp3</blockquote>
40159b3361Sopenharmony_ci    <p>
41159b3361Sopenharmony_ci        CBR encoding is the basic encoding mode of MP3: The bitrate is kept constant
42159b3361Sopenharmony_ci        across the entire file, which means the same number of bits is allocated to
43159b3361Sopenharmony_ci        encode each second of audio, and internally, frames of audio data occur at
44159b3361Sopenharmony_ci        regular, predictable intervals, given a predictable file size for a given
45159b3361Sopenharmony_ci        duration. CBR is therefore the "opposite" of <a href="vbr.html">VBR</a>.
46159b3361Sopenharmony_ci    </p>
47159b3361Sopenharmony_ci    <p>
48159b3361Sopenharmony_ci        That said, in some formats there may be some variability in the number of bits
49159b3361Sopenharmony_ci        that contain actual audio information from frame to frame. This concept manifests
50159b3361Sopenharmony_ci        in the <i>bit reservoir</i> of MP3s. In a CBR MP3, even though the frames are of
51159b3361Sopenharmony_ci        a fixed size, the audio data is not necessarily distributed consistently between
52159b3361Sopenharmony_ci        them; audio for one frame might use fewer bits than the frame has, so that frame
53159b3361Sopenharmony_ci        adds the spare bits to a <i>reservoir</i> that can supplement the bits allocated
54159b3361Sopenharmony_ci        to the next frame. Thus, the effective bitrate is allowed to vary somewhat in a
55159b3361Sopenharmony_ci        CBR MP3, even though there is a fixed number of frames for the duration of audio.
56159b3361Sopenharmony_ci        For example, for a 256kbps file, the bitrate of a single frame can be up to 320
57159b3361Sopenharmony_ci        kbps, but the frame immediately before and/or after that one would have to use
58159b3361Sopenharmony_ci        fewer bits, whereas in VBR, there would be no such restriction. Consequently, the
59159b3361Sopenharmony_ci        amount of variability across the entire MP3 is not as great as that afforded by
60159b3361Sopenharmony_ci        VBR, but it is not insignificant; a CBR encoder that does not efficiently use
61159b3361Sopenharmony_ci        the reservoir will likely produce a lower quality file than one that does.
62159b3361Sopenharmony_ci    </p>
63159b3361Sopenharmony_ci    <p>
64159b3361Sopenharmony_ci        <a href="abr.html">ABR</a> is a more flexible way to encode where filesize is
65159b3361Sopenharmony_ci        important, but still giving some flexibility to choose frame sizes.
66159b3361Sopenharmony_ci    </p>
67159b3361Sopenharmony_ci    <h3>Who should use CBR</h3>
68159b3361Sopenharmony_ci    <p>
69159b3361Sopenharmony_ci        CBR is useful for people who are concerned about maintaining maximum
70159b3361Sopenharmony_ci        compatibility, especially with certain streaming applications and some
71159b3361Sopenharmony_ci        hardware-based decoders that don't reliably support VBR.
72159b3361Sopenharmony_ci    </p>
73159b3361Sopenharmony_ci    <p>
74159b3361Sopenharmony_ci        CBR is also useful for people who desire the ability to obtain accurate
75159b3361Sopenharmony_ci        estimates of the bitrate or approximate duration of a file's decoded audio
76159b3361Sopenharmony_ci        without scanning and partially decoding the entire file.
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